- Epileptic cut – cuts that flash into a new transition
· Story that isn’t the story (characters)
It is difficult to understand who the characters are and which ones are bad and good. Likewise I cannot identify the roles of each character easily as the amount of screen time is almost equal.
It is difficult to understand who the characters are and which ones are bad and good. Likewise I cannot identify the roles of each character easily as the amount of screen time is almost equal.
· Story that is the story (narrative)
Like the characters, I also find it difficult to understand what the actual plot is. However I can tell that someone is being stalked due to the muse-en-scene = mobile phone, CCTV, and running away from someone/something. This is effectively demonstrated with close-up shots, tracking shots, and the occasional transition.
Like the characters, I also find it difficult to understand what the actual plot is. However I can tell that someone is being stalked due to the muse-en-scene = mobile phone, CCTV, and running away from someone/something. This is effectively demonstrated with close-up shots, tracking shots, and the occasional transition.
· Soundtrack
The soundtrack is very effective in this trailer as it starts of at a slow pace and speeds up as the trailer progresses. This is something Campbell and I want to do as it enables extra factors to be introduced, such as additional action, new characters, and a quick montage of short clips. One thing I don't like about this soundtrack however is the way it stops at the end so abruptly. This makes it look obvious that the soundtrack has been synchronised.
The soundtrack is very effective in this trailer as it starts of at a slow pace and speeds up as the trailer progresses. This is something Campbell and I want to do as it enables extra factors to be introduced, such as additional action, new characters, and a quick montage of short clips. One thing I don't like about this soundtrack however is the way it stops at the end so abruptly. This makes it look obvious that the soundtrack has been synchronised.
· Voice-overs
There are no voice-overs in this trailer. I think that a voice-over should have been used to explain the narrative better and effectively introduce the characters. Although this is the case, Campbell and I will not be using a voice-over due to the context of our trailer, and the features we want to include.
There are no voice-overs in this trailer. I think that a voice-over should have been used to explain the narrative better and effectively introduce the characters. Although this is the case, Campbell and I will not be using a voice-over due to the context of our trailer, and the features we want to include.
· Motion graphics (text: in cinemas etc)
At the very beginning of the trailer, a logo is briefly shown to show who created the trailer. Towards the end of the trailer, we are shown the title of the film, along with the release date and additional small print. I think that it is vital that Campbell and I use motion graphics in our trailer, as we need to inform the reader about the narrative, the producers, and the release date.
At the very beginning of the trailer, a logo is briefly shown to show who created the trailer. Towards the end of the trailer, we are shown the title of the film, along with the release date and additional small print. I think that it is vital that Campbell and I use motion graphics in our trailer, as we need to inform the reader about the narrative, the producers, and the release date.
· Quick cuts
In terms of quick cuts, there are almost none in this trailer. The majority of transitions used are either jump cuts or fade in/out. I believe that quick cuts would have added a greater sense of drama to the trailer as horror trailers are not supposed to be slow and smooth. Again, the quick cut will be a technique that Campbell and I will use in our trailer.
In terms of quick cuts, there are almost none in this trailer. The majority of transitions used are either jump cuts or fade in/out. I believe that quick cuts would have added a greater sense of drama to the trailer as horror trailers are not supposed to be slow and smooth. Again, the quick cut will be a technique that Campbell and I will use in our trailer.






